Makart, Hans
Austrian Academic Painter, 1840-1884 Austrian painter. He studied (1860-65) at the Akademie in Munich under the history painter Karl Theodor von Piloty whose influence is evident in Makart's Death of Pappenheim (1861; Vienna, Hist. Mus.). Makart visited London and Paris in 1862 and Rome in 1863. The Papal Election (1863-5; Munich, Neue Pin.) reveals Makart's skill in the bold use of colour to convey drama as well as his virtuoso draughtsmanship. Two decorative triptychs, Modern Cupids (1868; Vienna, Zentsparkasse), and the Plague in Florence (1868; Schweinfurt, Samml. Schefer), brought Makart both fame and disapproval (mostly because they lacked a literary original) when exhibited in Munich in 1868. His plan for the second work
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Makart, Hans Abundantia: The Gifts of the Sea oil painting


Abundantia: The Gifts of the Sea
1870 Mus??e d'Orsay, Paris.
Painting ID::  19254 		Makart, Hans
Abundantia: The Gifts of the Sea
1870 Mus??e d'Orsay, Paris.
   
   
     
Makart, Hans Abundantia: The Gifts of the Earth oil painting


Abundantia: The Gifts of the Earth
1870 Mus??e d'Orsay, Paris
Painting ID::  19255 		Makart, Hans
Abundantia: The Gifts of the Earth
1870 Mus??e d'Orsay, Paris
   
   
     
Makart, Hans Portrait of a Lady oil painting


Portrait of a Lady
Oil on panel The Hermitage, St. Petersburg.
Painting ID::  19256 		Makart, Hans
Portrait of a Lady
Oil on panel The Hermitage, St. Petersburg.
   
   
     
Makart, Hans Portrait of a Lady oil painting


Portrait of a Lady
mk65 Oil on panel 47x31 1/2"
Painting ID::  29346 		Makart, Hans
Portrait of a Lady
mk65 Oil on panel 47x31 1/2"
   
   
     
Makart, Hans The Plague in Florence oil painting


The Plague in Florence
mk157 1868 Oil on canvas 103x204.5cm
Painting ID::  41221 		Makart, Hans
The Plague in Florence
mk157 1868 Oil on canvas 103x204.5cm
   
   
     
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     Makart, Hans
     Austrian Academic Painter, 1840-1884 Austrian painter. He studied (1860-65) at the Akademie in Munich under the history painter Karl Theodor von Piloty whose influence is evident in Makart's Death of Pappenheim (1861; Vienna, Hist. Mus.). Makart visited London and Paris in 1862 and Rome in 1863. The Papal Election (1863-5; Munich, Neue Pin.) reveals Makart's skill in the bold use of colour to convey drama as well as his virtuoso draughtsmanship. Two decorative triptychs, Modern Cupids (1868; Vienna, Zentsparkasse), and the Plague in Florence (1868; Schweinfurt, Samml. Schefer), brought Makart both fame and disapproval (mostly because they lacked a literary original) when exhibited in Munich in 1868. His plan for the second work

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